Read Taylor Swift's 1989 (Taylor's Version) prologue in full here

28 October 2023, 07:31

Taylor Swift announces The Eras Tour concert film with trailer

Katie Louise Smith

By Katie Louise Smith

Taylor opens up about the original 1989 era, the commentary about her dating life, her new music and her fans in the new 1989 prologue.

Listen to this article

Loading audio...

1989 (Taylor's Version) is here, those five new vault tracks are finally in our hands and Taylor Swift is officially back in her 1989 era.

If you're a Swiftie, you'll know that Taylor always starts an album with a prologue that can be found in the album booklet. In the essay, Taylor lays down the vibe and inspirations behind the album, shares her feelings with fans and opens up about the state of mind she was in when writing the songs.

With the release of 1989 (Taylor's Version), a new prologue has been written alongside the album in which Taylor reflects on the original 1989 era and the new sound she was about to put out into the world, and the then-commentary about her love life.

Fans have now fallen in love with the honest and open way Taylor discusses the era and the album that would skyrocket her career into the stratosphere.

READ MORE: Are Taylor Swift's Slut! lyrics about Harry Styles? The meaning explained

Read Taylor Swift's 1989 (Taylor's Version) prologue here
Read Taylor Swift's 1989 (Taylor's Version) prologue here. Picture: Republic Records, Big Machine Records

In the 1989 (TV) prologue, Taylor explains that 1989 was born out of a decision to completely "reinvent" herself. Her aesthetic, her music, and her public perception... She was starting fresh, in a new city, with a brand new all-out pop sound.

At this point in her career, Taylor's dating life was constantly at the forefront of any conversation about her. In the prologue, she comments on the ways she was slut-shamed, and the way people would trivialise her skills as a songwriter and accuse her of dating and breaking up with guys just to write a song about it.

READ MORE: Is Taylor Swift's Now That We Don't Talk about Harry Styles? The lyric references explained

As a result, the 1989 era became a way of "silencing" those critics. She explains that she consciously began to move away from any public relationships with men, and leaned into friendships with her female friends.

Taylor then goes on to discuss developing her new sound with original 1989 producers Max Martin, Shellback and Jack Antonoff. She acknowledges the lessons learned and prices paid during the era, before thanking fans for seeing and embracing everything she was trying to do.

Read the full prologue below.

Read Taylor Swift's 1989 (Taylor's Version) prologue here:

"When I was 24 I sat in a backstage dressing room in London, buzzing with anticipation. My backup singers and bandmates gathered around me in a scattered circle, scissors emerged and I watched in the mirror as my locks of long curly hair fell in piles on the floor. There I was in my plaid button down shirt, grinning sheepishly as my tour mates and friends cheered on my haircut. This simple thing that everyone does. But I had a secret. For me, it was more than a change of hairstyle. When I was 24, I decided to completely reinvent myself."

"How does a person reinvent herself, you ask? In any way I could think of. Musically, geographically, aesthetically, behaviorally, motivationally... And I did so joyfully. The curiosity I had felt the first murmurs of while making Red had amplified into a pulsing heartbeat of restlessness in my ears. The risks I took when I toyed with pop sounds and sensibilities on Red? I wanted to push it further. The sense of freedom I felt when traveling to big bustling cities? I wanted to live in one. The voices that had begun to shame me in new ways for dating like a normal young woman? I wanted to silence them."

"You see - in the years preceding this, I had become the target of slut shaming - the intensity and relentlessness of which would be criticized and called out if it happened today. The jokes about my amount of boyfriends. The trivialization of my songwriting as if it were a predatory act of a boy crazy psychopath. The media co-signing of this narrative. I had to make it stop because it was starting to really hurt."

"It became clear to me that for me there was no such thing as casual dating, or even having a male friend who you platonically hang out with. If I was seen with him, it was assumed I was sleeping with him. And so I swore off hanging out with guys, dating, flirting, or anything that could be weaponized against me by a culture that claimed to believe in liberating women but consistently treated me with the harsh moral codes of the Victorian era."

"Being a consummate optimist, I assumed I could fix this if I simply changed my behavior. I swore off dating and decided to focus only on myself, my music, my growth, and my female friendships. If I only hung out with my female friends, people couldn't sensationalize or sexualize that - right? I would learn later on that people could and people would."

"But none of that mattered then because I had a plan and I had a demeanor as trusting as a basket of golden retriever puppies. I had the keys to my own apartment in New York and I had new melodies bursting from my imagination. I had Max Martin and Shellback who were happy to help me explore this new sonic landscape I was enamored with. I had a new friend named Jack Antonoff who had made some cool tracks in his apartment. I had the idea that the album would be called 1989. And we would reference big 80's synths and write sky high choruses. I had sublime, inexplicable faith and I ran right toward it. In high heels and a crop top."

"There was so much that I didn't know then, and looking back I see what a good thing that was. This time of my life was marked by right kind of naïveté, a hunger for adventure. And a sense of freedom I hadn't tasted before. It turns out that the cocktail of naïveté, hunger for adventure and freedom can lead to some nasty hangovers, metaphorically speaking. Of course everyone had something to say. But they always will. I learned lessons, paid prices, and tried to…don't say it... don't say it... I'm sorry, I have to say it... Shake it off."

"I’ll always be so incredibly grateful for how you loved and embraced this album. You, who followed my zig zag creative choices and cheered on my risks and experiments. You, who heard the wink and humor in 'Blank Space' and maybe even empathized with the pain behind the satire. You, who saw the seeds of allyship and advocating for equality in "Welcome To New York". You, who knew that maybe a girl who surrounds herself with female friends in adulthood is making up for a lack of them in childhood (not starting a tyrannical hot girl cult). You, who saw that I reinvent myself for a million reasons, and that one of them is to try my very best to entertain you. You, who have had the grace to allow me the freedom to change."

"I was born in 1989. Reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly. Never in my wildest dreams did I imagine the magic you would sprinkle on my life for so long.

This moment is a reflection of the woods we've wandered through and all this love between us still glowing in the darkest dark.

I present to you, with gratitude and wild wonder, my version of 1989.

It's been waiting for you."

Read more Taylor Swift news here:

WATCH: Madison Beer breaks down Silence Between Songs track by track

Madison Beer Explains Every Song On 'Silence Between Songs' | Making The Album